This year’s Integrated Design Research Conference, themed “The Creative Wave”, explores the fluid and evolving nature of creativity within contemporary design contexts. The conference invites participants to engage with how creative practice moves across shifting cultural, technological, and ecological landscapes, responding to change while generating new possibilities. It considers how design operates as a force in motion, continuously adapting, reinterpreting traditions, and shaping emerging futures.
The Creative Wave positions design as an active and responsive process, where imagination initiates exploration and adaptation sustains transformation. It encourages a rethinking of how designers navigate uncertainty, collaborate across disciplines, and contribute to meaningful change within diverse social and environmental contexts.
The conference will explore the following sub-themes through the lens of the creative wave:
Society and Culture: Investigating how design, infused with creative intelligence, responds to shifting cultural narratives, social complexities, and collective aspirations.
Vernacular Knowledge and Practice: Highlighting the role of indigenous, local, and traditional knowledge systems as vital sources of creative insight and adaptive intelligence in design.
Economy and Industries: Examining how creative intelligence drives innovation, value creation, and transformation within economic systems and industrial practices.
Design Pedagogy and Thinking: Exploring how design education cultivates creative intelligence—through emerging methodologies, interdisciplinary thinking, and reflective practice.
Design Across Technologies: Analyzing the relationship between creative intelligence and technological advancement, particularly in the age of AI, digital fabrication, and interactive systems.
Circularity and Sustainability: Addressing how creative intelligence informs regenerative design practices that prioritize environmental responsibility, circular economies, and systemic change.
Join us for IDR 2026 as we engage in a dynamic convergence of ideas, practices, and perspectives that reflect the movement of creativity across disciplines and contexts. Through critical dialogue, innovative presentations, and collaborative exchange, the conference will explore how design continues to adapt, transform, and shape pathways toward more inclusive, resilient, and future-oriented worlds.
University of Moratuwa,
Bandaranayake Mawatha, Moratuwa 10400 Sri Lanka.
www.uom.lk
Keynote Speech by
Rikke Hansen is a Graphic Designer and Educator and she works on and researches design development projects and has her own design studio doing print and digital design, doing product development, branding and consulting for companies and organisations. Has been Juror in several international Poster Biennals and Design competiotions worldwide. COFOD excelence Award winner. Graphis Silver, Gold and Platinum Award winner, China Poster Biennal Silver winner. Mut zur Wut winner. She has been exhibiting, giving lectures and workshops internationally in Europe, Middle East, Asia and America.
More info www.wheelsandwaves.dk
Vision Speech by
Dr. Jo “typojo” De Baerdemaeker is an award-winning Belgian typeface designer, font technologist, and scholar whose work spans script-based typography, multilingual type design, and design research. With an MA in Typeface Design and a PhD from the University of Reading, he specializes in designing and writing about world scripts — notably Tibetan, Lantsa (Rañjanā), Mongolian, and Javanese — and exploring how multilingual typography engages culture, technology, and visual identity.
In 2012, Jo founded Studio Type in Antwerp, collaborating with international design agencies and type foundries. He is a frequent speaker at international conferences and has curated exhibitions at the intersection of type and typography. Recognized for his contribution to design, he was awarded the first honorary title “New Flemish Master in Fine Arts” during the Henry van de Velde Awards (2017). He is the author of Tibetan Typeforms, the first in-depth book exploring Tibetan type and typography (www.studiotype.be).
Find him on Instagram @typojo

Prof. Rikke Hansen
Award-Winning Graphic Designer and Teaching Associate Professor,
Kolding School of Design, Denmark

Dr. Jo A. J. De Baerdemaeker
Award-Winning Typeface Designer, Font Technologist and Scholar
LUCA School of Arts, Belgium

Sarita Sundar
Designer and Design Historian, India

Prof. Dr. Petra Černe Oven
Chair of Theoretical Studies, Research Institute of the Academy of Fine Arts and Design, University of Ljubljana

Mr. Mahesh Pathirathna
Global Literacy Advisor – Room to Read, Sri Lanka

Prof. Suchitra Balasubrahmanyan
Research Fellowship, Centre for Design History, University of Brighton

Prof. Gloria Kondrup
ArtCenter College of Design, California, United States

Dr. Rathna Ramanathan
Central Saint Martins, University of the Arts London, United Kingdom